1966 Vintage Omega Caliber 560 with Linen Dial

Omega Linen Dial Feature

The time has finally come where I am posting about the same movement twice. This Omega has a Caliber 560 exactly like the 1967 Omega back in early July. Other than the gold plating and the movement the two watches are incredibly different. What drew me to this watch before I even saw the inside was the linen dial. I am a sucker for rare variants when they are in good enough shape. Little things like this (especially in this condition) can add a lot of value to otherwise standard pieces.

Usually this type of textured dial is a magnet for dirt and before long the white linen begins to look more beige. When I saw such a fragile dial in such great shape I knew that the movement would be in equally well preserved. Fortunately, I was right. When I got the back open I was staring at the most well preserved caliber 560 I have ever seen.

The case had no service marks, and as can be seen the movement is in incredibly good shape. Due to this watch never being serviced the oil had dried or migrated and so the rate of the watch was off by 35 seconds per day. After a full disassembly, cleaning, oiling, and regulating this piece from the 60s is beating properly and keeping excellent time.

Back together and on a new band this is a classic, rare, and near mint dress watch that wonderfully showcases the timeless elegance of vintage Omega. Omega Linen Dial Angle Omega Linen Dial Close-up Omega Linen Dial Side Omega Linen Dial Movement Omega Linen Dial Movement 2

1966 Omega Seamaster De Ville w/ Caliber 560

Although I could never personally pull off the gold watch on the gold band, I can still appreciate a piece for those who can. This 1966 Omega Seamaster De Ville Caliber 560 that I just restored is not my personal style on the outside but it is still a beautiful watch. The movement is another story. The Caliber 560 is an incredibly rare beauty that is the visual epitome of what I love about vintage Omegas. As a whole, this watch is a great original example of a vintage Omega that showcases all of the distinctive marks that one should look for when buying Omegas from this time.

Before launching into what I like about this watch, let me  get some qualms with it out of the way. My first issue is with the metal band. My major problem with metal bands is that they show their age terribly. After a few years, the band stretches to become several sizes bigger than it was and looks saggy and worn. Furthermore once they are at this point of showing age they can rarely be replaced without looking odd against the watch head. My advice? If you buy a watch on a metal band, wear it for about six months to year and then lock it away and put on a leather, canvas, or nylon band. You will thank me later if you ever want to resell it.

My second issue with this watch is the unishell case (or more accurately the two-part stem.) Usually to service a watch you either unscrew or lever off the back to get to the movement. With unishell designs the movement is accessed through the crystal. It is then taken out with the removal of the annoying two-part stem and either lifting the movement straight out or the sliding of a movement lock. The problem with a two-part stem is not the removal but the winding and setting of the watch when not in the case. Other than these two issues however this movement is gorgeous and maintaining it was a fun task even if it was done at a tortoise’s speed (a balance complete for this watch costs upwards of $300 so slow and steady wins the race every time in watchmaking.)

The movement is an incredibly rare Caliber 560. I did not know it at the time (probably not a bad thing) but apparently there were only about 3000 of these movements made. The serial number dates this watch to about 1966. It has a very simple thin case with a big dial that is very 50s-60s. This was before the transition into more bulky and prominent cases of the 70s onwards. Once again, while not my style, I can appreciate its importance and its beauty inside and out.

When cleaning vintage Omegas it is always crapshoot as to whether the beautiful rose gold finish will come off in cleaning. To mitigate this risk, I usually start by washing a small part to see the effects. If the finish comes off, I set about cleaning the entire main plate and bridges by hand with some solvent, tiny swabs, sharpened peg wood, and my trusty Rodico bar (a tacky substance that removes oil, dirt, hair, etc.) Luck happened to be on my side with this one and I was able to ultrasonically clean the whole thing. Upon close inspection I found nothing wrong and set about reassembling the movement. When it was all oiled and back together (minus the rotor) I set about regulating it. Once it kept perfect time I then set the hands and the date, put the rotor on, and got the whole thing back in its shell.

Omega 560 Seamaster De Ville Movement

One thing no once can fault Omega for is marking their watches. Most of these marks are obvious: Dial, Movement, Crown, Case, and Band. Omega however did not stop there. They also marked their crystals with a near imperceptible Omega logo. I was unable to get a view that showed it, but this one had it too. For anyone buying a vintage Omega be sure to ask the seller if the crystal is original or aftermarket generic.

Omega 560 Seamaster De Ville Back Omega 560 Seamaster De Ville Crown Omega 560 Seamaster De Ville Band

Instead of replacing the crystal, I buffed this one out a bit. I opted to not polish the case because it would have looked different than the band. I wanted to keep the continuity and so I just used a rouge-less polishing cloth.

Back together with the band back on it looks like the 60s Omega it is. It is nothing extravagant but it is a well-made cleanly designed watch that will easily run for decades to come. Its rare Caliber 560 gives it a little secret that distinguishes it from other similar models. At the end of the day, I am glad I got the chance to be able to say I worked on a rare 560.

Omega 560 Seamaster De Ville Side Close upOmega 560 Seamaster De Ville Front Omega 560 Seamaster De Ville Side

1967 Longines Caliber 284

Given that I buy old watches generally in non-working condition, it is incredibly rare that I am shocked in a good way when I get to the movement of a watch. This 1967 Longines was that exception. Once I got the scratched crystal off I saw that the dial was perfect on this watch. Not a speck of dust, a fingerprint, anything. I then got the movement out of the unishell (sometimes this can be a pain) and turned it over to reveal a movement that had not been touched by human hands since it left the production line 46 years ago. It had none of the scratches, dust, dirt, hair, or marks that are all too commonly the sign of human intervention. The case also had no service marks. It was common practice for watchmakers to leave a mark with a tiny engraving on the inside of cases. This watch had been bought, had an ugly stretch band put on it, and was then never worn. It only required a quick disassembly and cleaning to remove the factory oil, some new oil put in, and a slight regulation to get it running just as perfectly as it did all those years ago. Oh, and I also added a new leather band that matches the watch’s elegance far better than a stretchy band.

The caliber 284 is beautiful in its simplicity. It is a relatively wide but slim movement that is incredibly service friendly. I highly recommend this as a good movement to experiment on if you ever feel the itch to get into watch repair.

The dial is somewhat different with hands that are simple but just ever so slightly different from conventional hands in their shape, and the Roman numeral markers at 3,6,9, and 12 are also great touches along with the crosshair.

Usually there are several terms in the watchmaker’s lexicon that I need to use when describing a restore, but in this case only one comes to mind: Near Mint.

Longines 1967 Cal. 284 Front Longines 1967 Cal. 284 Movement OLYMPUS DIGITAL CAMERA Longines 1967 cal 284 side